Showing posts with label conference. Show all posts
Showing posts with label conference. Show all posts

Wednesday, 12 June 2013

Intoxication 2013 Paris


We are very pleased to announce the final schedule, and the opening of registration for this year’s conference.
We are also particularly pleased to announce the two keynote speakers for the day: cultural historian and author Mike Jay and Dr Benjamin Noys from the University of Chichester. For more details about our keynote speakers, please click here.

Those wishing to attend are invited to register by contacting Eugene.brennan@ulip.lon.ac.uk.

Intoxication in Paris, June 28th 2013.
Granville Barker room, 4th floor, University of London Institute in Paris, 9-11 rue de Constantine, 7th arrondissement, Paris (Métro: Invalides).
0
9h30 – 9h55 : Registration
9h55 : Opening remarks
10h05 – 11h00, Panel one: Intoxication in the Nineteenth-Century
Dr Susannah Wilson (University of Warwick), ‘Women and Drugs in late Nineteenth-Century France’.
Keynote address: Mike Jay (author and cultural historian), ‘The Green Jam of « Doctor X »: Science and Literature at the Club des Hachichins’.

11h15 – 11h30 : Coffee break

11h30 – 12h45, Panel two : Poetic Intoxications
Eugene Brennan (University of London Institute in Paris), ‘Apophatic theology and the poetics of the sacred: intoxication in the (anti-)poetry of Georges Bataille.’
Mathieu Perrot (Université Paris Ouest Nanterre La Défense), ‘Riding the lines: The images of the “chevauchements” in Henri Michaux’s poetics and drug experiments’.
Alessandro Cabiati (University of Edinburgh), ‘An ecstatic journey towards the unknown: Arthur Rimbaud, Jim Morrison and the art of intoxication’.

12h45 – 14h00 : Lunch break

14h00 – 15h30, Panel three : Dipsomaniacal novel(ist)s
Dr Joe Kennedy (University of Chichester), ‘Tipsiness and « The Reigning Stupefaction » in British Fiction of the late 1940s’.
Hemlata Giri (Université Paris III Sorbonne Nouvelle/University of Delhi), ‘A toast to solitude. The theme of alcohol in the works of Michel Houellebecq’.
Anne-Lucille Gérardot (Université de Reims Champagne-Ardennes, CRIMEL), ‘Boire Dit-Elle : Un Tour Du Monde De L’Alcool Durassien’,

15h30 – 15h45 : Coffee break

15h45 – 17h00, Panel four : Biopolitical Intoxications
Joshua Rivas (Princeton University), ‘Intoxication and toxicity in a « pharmacopornographic era » : Beatriz Preciado’s Testo Junkie’.
Christopher Collier (University of Essex) and Joanna Figiel (City University London), ‘The Recombinant Dérive – The Situationist International, biopolitics and the neoliberal dérèglement de tous les sens’.

17h00 – 18h00, Panel five : Critiques of Intoxication in Theory and Politics
Alastair Hemmens (University of London Institute in Paris), “Beau comme le tremblement des mains dans l’alcoolisme”: A Cavalier History of Drugs and Intoxication in the Situationist International.
Keynote address: Dr Benjamin Noys (University of Chichester), ‘Intoxication and Acceleration’

18h00 – 18h05 : Break

18h05 – 19h00, Panel six : Paris, Capital of Intoxication
Simone Paterman (Université Paris VIII), ‘L’abstinence créatrice. Les errances de Jack Kerouac et d’Henry Miller à Paris’.
Adam Biles (writer, author of Grey Cats, 3AM Press, 2012), ‘Night Tremors: Stories From Nocturnal Paris.’

19h00 + : Drinks (TBC)

Thursday, 14 March 2013

Broken Performances: Time and (In)Completion (Zagreb)

I will be speaking at this event in Zagreb. Here's the programme:



Program:
21.03.2013
18.00 @ Pogon Jedinstvo Bojan Djordjev: What I have Learned about Capitalism – (never ending self) lecture performance
20.00 @ Pogon Jedinstvo BADco.: Is There Life On Stage? – performance

22. 03.2013
11.00 @ mama The research group of Maska’s Seminar for Contemporary Performing Arts: Broken Lecture
12.45 @ mama Nik Wakefield: A Genealogy of Performance Itself: Bergsonian Memory and Documentation
13.15 @ mama Tomislav Medak: Theatre and Totality
17.00 @ mama Sean Cubitt: Visible time -keynote
18.00 @ mama Marie-Luise Angerer: Too Much Time – keynote
19.30 @ mama Bojana Cvejić, Marta Popivoda and Ana Vujanović (TkH – Walking Theory, Belgrade): Public Sphere by Performance and Yugoslavia, how ideology moved our collective body – book and film presentation

23. 03.2013
11.00 @ mama Karin Harrasser: “There, everybody who stutters, is obliged to limp”. Time-Images in Heiner Göbbels, Alexander Kluge, Samuel Beckett
11.30 @ mama Goran Sergej Pristaš: The Time After (In)Completion
13.00 @ ZPC Marjana Krajač: Manual For Empty Spaces – entering the performance – performance
17.00 @ mama Benjamin Noys: The War of Time: Occupation, Resistance, Communization -keynote
18.00 @ mama Stephen Zepke: Art, Communization and the Biopolitical Event – keynote
19.00 @ Gallery Nova Franck Leibovici: Formes des vie – book presentation
20.00 @ Theatre &TD Saška Rakef: The Debt of Rakef Saška – performance

24. 03.2013
21.00 @ Cinema Tuškanac Nicolas Rey: Differently, Molussia – film screening
This symposium and its topic are a continuation of BADco.’s artistic interest to relate performance and time. More concretely, it was motivated by BADco.’s work on the development of imaging technologies and their application in performative settings, and it revolves around inquiry of images and performances of time in the technologically driven production – both in the capitalist economic production, in the work with technologies on-stage and in the work of dance as an old technology.
The symposium is a part of our participation in the project “TIMeSCAPES – Images and performance of time in late capitalism.” TIMeSCAPES is a long-term artistic research and production platform initiated by five cultural organizations: BADco. (HR), Maska (SI), Walking Theory (RS), Science Communications Research (A) and Film-protufilm (HR). It brings together four organizations, whose internationally renowned artistic and cultural practice is rooted in research, publishing and discourse, with one science-oriented organization developing methodologies of artistic research. The double objective is to research and artistically reflect the transversal issue of time that cuts across economy, society and art: structure of working time in different economic contexts, temporal experience in technologies, performative dramaturgies of time, etc.; while at the same time tackling the issue that has acute resonance in cultural and academic contexts across Europe: what should the models and institutions of artistic research be, given the constraints of time, money and mobility that artists face.

The attendant artistic program is organized in collaboration with the Multimedia Institute/MAMA, Academy of Drama Arts – University of Zagreb, POGON – Zagreb Centre for Independent Culture and Youth, Culture of Change – Student Center, What, How and for Whom/WHW, Zagreb Dance Center and Institut français de Zagreb.

Concept, organization and coordination: Goran Sergej Pristaš, Jasna Žmak & Tomislav Medak
Production: Lovro Rumiha

“Broken Performances: Time and (In)Completion” is part of TIMeSCAPES, Images and performances of time in late capitalism, a partner project of BADco. (Zagreb), Maska (Ljubljana), Science Communications Research (Vienna), Walking Theory (Belgrade), Film-protufilm (Zagreb) and Academy Of Dramatic Arts, University of Zagreb. With the support of the Culture Programme of the European Union.
The symposium and artistic programme are supported by the Ministry of Culture of the Republic of Croatia and Office for Education, Culture and Sport of the City of Zagreb.

Thursday, 7 March 2013

Accelerationism in Lisbon

I'm doing two events in Lisbon, one which is based around 'The Grammar of Neoliberalism' and the second around 'Cyberpunk Phuturism' (this will also form a chapter in the new book on accelerationism.



Monday 11 March
'The Grammar of Neoliberalism: A Discussion', Unipop, @ RDA69.



Tuesday 12 March


10 am 'Cyperpunk Phuturism', 'Movement & Technical Mobilization' Conference

The Weird: Fugutive Fictions/Hybrid Genre CFP



The Weird: Fugitive Fictions/Hybrid Genre
A one day research conference in association with the Centre for Contemporary Literature, Birkbeck, exploring the weird literary tradition and the many facets of weird writing.

Keynotes: S.T. Joshi / Professor Roger Luckhurst / more TBA

Friday 8th November 2013 / Senate House, London

Until recently weird fiction, if acknowledged at all, was usually considered to be a marginal mode in the already lowly Gothic tradition - less a genre than a particular affect. In the last ten years, however, it has come to be regarded as a separate and distinct form with an increasingly important role to play in the theory of popular genre. The debate has broadened its scope to perceive and explore connections with discourses, literary traditions and cultures not previously associated with the Weird. This call for papers invites contributions that engage with weird fiction in its various aspects, including, but not limited to, the following topics and authors:


• The weird cosmic horror tradition of H.P. Lovecraft and his ‘Weird Tales’ contemporaries

• The recent New Weird advocated by China Miéville and others

• The evolution of the Weird

• The global Weird - weird fiction in translation

• Genre theory and fugitive forms

• Modernism and the Weird

• Weird Philosophy and Weird Theory


Please send 250 word abstracts for 20 minute papers, together with a brief biography, to theweirdconference@gmail.com by 1st August 2013.

Thursday 7th November 2013 (evening event): weird fiction reading (details TBC)

Follow ‘The Weird’ on Twitter: @WeirdConference

This conference is supported by the Birkbeck Centre for Contemporary Literature, Birkbeck School of Arts, and the Institute of English Studies, University of London.

Wednesday, 13 June 2012

2nd Brighton-Sussex Postgraduate Colloquium Day in Critical Thought

2nd Brighton-Sussex Postgraduate Colloquium Day in Critical Thought


hosted by the Centre for Social and Political Thought, University of Sussex, and the Critical Studies Research Group, University of Brighton

June 21st, 2012
10.30 – 11.30 Panel 1:
Ian Sinclair (Brighton): ‘Reading Rancière’
Toby Lovat (Brighton): ‘Meillassoux on contingency and the absolute’

11.30 – 13.00 Panel 2:
Tim Carter (Sussex): ‘Love and its objects: Thoughts on a passage from Adorno’
Birgit Hofstaetter (Brighton): ‘Thinking with the movement of language: Adorno on music and philosophy’
Aidan Simpson (Sussex): ‘Ernst Bloch, utopia and activism’

13.00 -14.00 Lunch

14.00 – 15.30 Panel 3:
Jaakko Immonen (Brighton): ‘Merleau-Ponty and Adorno as materialist thinkers’
Alex Elliott (Sussex): ‘Punching Adorno in the face, epistemologically: Possible problems with physical experience in Negative Dialectics’
Dimitri Kladiskakis (Sussex): ‘Social origins and subjectivity: a critique of the state of nature’

16.00 – 17.00 Keynote:
Gordon Finlayson (Sussex): ‘30 years on: Habermas’s Critical Theory and the Problem of Normative Grounds’

All talks will take place in Fulton 203, University of Sussex

Sunday, 4 March 2012

Postautonomia




The University of North Carolina at Chapel Hill, May 3-5, 2012

@ The Institute for the Arts and Humanities/Global Education Center in collaboration with the University of Michigan, Ann Arbor and NWO

The conference The Anomie of the Earth is a follow-up to the Post/autonomy conference held in Amsterdam in May 2011.

While the Post/autonomy meeting focused on the European dissemination of autonomist thought, the second conference will build on its American location and explore a plurality of notions and practices of cultural-political autonomy. Though privileging the context of North and South America, the conference will also address European, African and Asian perspectives.

A presupposition of the conference is that what Carl Schmitt has defined as the Western “nomos of the Earth” – i.e. the political, legal, and spatial configuration of a Euro-Atlantic modern global order – is currently being shaken by intense endogenous and exogenous forces. By discussing the potentials and limits of autonomy/autonomia within our actual conjuncture, the conference will address the emerging nomos and its new constellations of life and knowledge.

More specifically, the conference will thematize the intersections of autonomy/autonomia with four lines of research that have reframed current debates in the humanities and social sciences:

* radical conceptualizations of life, labor, sovereignty, borders, precarity, migrations, communities and commons, multitude;
* spatial, affective, ethical and ecological forms of resistance to neoliberal capitalism;
* critical trends taking place at the edges of contemporary epistemologies; such as vitalisms, geo-philosophies, biopolitics, political anthropologies, new materialisms, political ontologies and ecologies, subaltern studies, embodiment and emergence theories;
* decolonial studies and new theorizations of post-capitalist, non-liberal and non-statist modes of knowledge and political practice; decolonial feminisms.

These broad themes should be focalized through a specific engagement with autonomy/autonomia.

We welcome the submission of papers in English. Accepted papers will be posted online on the conference website. For the panels, speakers will be asked to make short (10-15 minutes) presentations addressing the main topics of their papers.

Please send your paper, together with a short abstract, by March 1 to the.anomie.of.the.earth@gmail.com. Given the limited size of the conference, only a small number of papers will be accepted. Conference organizers will send acceptance notifications by March 21.

For further information, please contact the.anomie.of.the.earth@gmail.com

This conference is the second of a series within the project Precarity and Post-autonomia: the Global Heritage funded by NWO (Dutch Organisation for Scientific Research).

Confirmed participants
Giuseppe Bianco (University of Warwick/CIEPFC)
Jodi A. Byrd (University of Illinois)
Gustavo Esteva (Universidad de la Tierra)
Silvia Federici (Hofstra University)
Michael Hardt (Duke University)
Timothy S. Murphy (University of Oklahoma)
Benjamin Noys (University of Chichester)
Catherine Walsh (Universidad Simon Bolivar)
Gareth Williams (University of Michigan, Ann Arbor)

and the planning committee:
Federico Luisetti, John Pickles, Wilson Kaiser (University of North Carolina, Chapel Hill),Vincenzo Binetti (University of Michigan, Ann Arbor)

in collaboration with, at the University of North Carolina, Chapel Hill: Samuel Amago, Yusuf Al-Bulushi, Emilio del Valle Escalante, Arturo Escobar, Diana Marcela Gomez Correal, Lawrence Grossberg, Michal Osterweil, Michael Palm, Alvaro Reyes
and the NWO partners: Frans-Willem Korsten (Leiden University/Erasmus University Rotterdam), Joost de Bloois (University of Amsterdam), Silvia Contarini (Université Paris Ouest, Nanterre La Défense), Monica Jansen (Utrecht University)

Sponsors
NWO, Department of Romance Languages and Literatures (University of Michigan, Ann Arbor), and the Center for Global Initiatives, College of Arts & Sciences, Department of Romance Languages and Literatures, Center for European Studies, The Institute for the Arts and Humanities, The Institute for the Study of the Americas, Department of Geography, Program in Comparative Literature, Department of Anthropology, Department of Communication Studies, Cultural Studies@UNC (UNC-Chapel Hill), Department of Romance Studies (Duke University)



Monday, 13 June 2011

To Have Done with Life (Zargreb)

Schedule
June 17 [Friday]

Morning Session 10:00-12:00 Stephanie Wakefield & Jason Smith
Wakefield: “Dasein is Design: Form-of-Life, World, Environment”Smith: “Parallel Lives: Form-of-Life, Living Labor”

Afternoon Session 14:00 – 16:00 Nathan Brown & Alexi Kukuljevic
Brown: “The Lucidity of the Unliving: Crystallography and Inorganic Poetry”Kukuljevic: “Notes on Lifeless Matter”

Evening Session18:00 – 20:00 Evan Calder Williams & Benjamin Noys
Williams: “Imitation of Imitation of Life”Noys: “The Poverty of Vitalism”

June 18 [Saturday]
Afternoon Session1 3:00 – 14:30 Martin Hägglund15:00 – 16:30 Ray Brassier
Hägglund: “The Trace of Time and the Death of Life”
Brassier: “Life in Mind: Critique of Thompson”

Evening Session 19:00 – 21:00 Roundtable (Brassier, Hägglund, Johnston, Malabou)

June 19 [Sunday]
Afternoon Session 13:00 – 14:30 Adrian Johnston 15:00 – 16:30 Catherine Malabou
Johnston: “Second Natures in Dappled Worlds: John McDowell, Nancy Cartwright, and Hegelian-Lacanian Materialism”
Malabou: “Epigenesis and the Plasticity of Life”

Evening Session19:00 – 21:00 Roundtable (Brassier, Hägglund, Johnston, Malabou)

Sunday, 15 May 2011

Can Art and Politics be Thought?



The UCLA Program in Experimental Critical Theory and the Hammer Museum present a conference on June 4 & 5, 2011 at the Hammer Museum in Los Angeles:

Can Art and Politics Be Thought? Practices, Possibilities, Pitfalls


Curated by Kenneth Reinhard and Drew Daniel

Featuring talks by

Alain Badiou (Being and Event, Logics of Worlds)

Matthew Barney (Cremaster, Drawing Restraint)

Lauren Berlant (The Female Complaint: The Unfinished Business of Sentimentality in American Culture, The Queen of America Goes to Washington City: Essays on Sex and Citizenship)

Joshua Clover (1989: Bob Dylan Didn't Have This to Sing About, Madonna Anno Domini: Poems)

Joan Copjec (Read My Desire: Lacan against the Historicists, Imagine There's No Woman: Ethics and Sublimation)

Drew Daniel (Throbbing Gristle's Twenty Jazz Funk Greats, A Chance to Cut Is a Chance to Cure [Matmos])

Steve Goodman (Sonic Warfare: Sound, Affect, and the Ecology of Fear, Black Sun [Kode9])

Allan Sekula (Performance under Working Conditions, Polonia And Other Fables)

And featuring performances by Ultra-Red, Kode9, and Matmos (June 4)

And a reading of scenes from two plays by Alain Badiou, Incident at Antioch and Ahmed the Philosopher (June 5)

For more information

ALL HAMMER PUBLIC PROGRAMS ARE FREE. Tickets are required, and are available at the Billy Wilder Theater Box Office one hour prior to start time. Limit one ticket per person on a first come, first served basis. Hammer members receive priority seating, subject to availability. Reservations not accepted, RSVPs not required.

Wednesday, 22 December 2010

Dark Materialism

Dark Materialism
Date:
12 January 2011 , 13:00 to 18:00
Location:
Flett Lecture Theatre, Natural History Museum
Fee:
£30/£20

This symposium draws on recent paradigms in contemporary philosophy, physics and critical theory. It assembles unique and multidisciplinary reflections on the idea of darkness in its relation to matter in diverse locations, namely: physics, astronomy, ecology, mysticism, speculative realism, psychoanalysis and literature. As a conceptual framework, dark materialism engages with matter at the thresholds of its annihilation and disappearance beyond the topographies of ‘base materialism’ and at the very edges of forms of thought where the objects, things, Things and no-things on which it depended exert their independence. Darkness, in matter, energy, ecology and life itself, in black holes in the universe and in the mind, emerges as baseless and founding, exterior and interior at once. It leaves thought in the void, enabling disruptions and speculative realignments of diverse concepts and the real itself, reshaping not only the world of ideas but also the very order of things.

Click here for more information and for the registration link for this event

Monday, 22 November 2010

Formalism and the Subject 29-30 November 2010


Formalism and the Subject (Form and Formalism II)
November 29-30, 2010
Jan Van Eyck Academie
Maastricht, Netherlands

Organized by: Pietro Bianchi and Tzuchien Tho

Please see our website for abstracts and updates


‘The object of science is no longer only the specific domain of problems — of obstacles to resolve — it is also the intention and the aim of the subject of science. That is to say, it is the specific project that constitutes a theoretical conscience as such.”
--What is psychology? Georges Canguilhem, 1958



A contemporary positivist doxa situates a partition between science and philosophy where the former would constitute the domain of formal models based on the foreclosure of the subject and the latter would address the critical stance from the point of view of the empirical experience. This situation counterposes a mutually exclusive relation between a domain of consciousness and its correlative object of cognition: between a critical stance legitimated under the name of veracity and the domain of a-historical and a-subjective formal theorization. In this positivist psychologization of the “subject” of science, we are faced with two dead ends. Either we accept the merely “critical” standpoint of a philosophical subject that remains outside and, as the philosophers would have it, above, science, or we reduce subjectivity itself to the internal circulation of the object-subject relation that satisfies the normalized standards of correlative veracity.


This counter-position constitutes a fundamental obstacle for the contemporary approaches to rethink and re-problematize the nature of so-called “objective” knowledge. The place of the subject is an “in-between” which seems to be reluctant to every form of reduction, representation, formalization. Constantly doomed to the oscillation between the enunciated and enunciation, between what is said and the very event of saying, between the signifiers and the letter, between the speaking body and the grammatical subject. Is the subject simply a voided place-holder with no substantiality? The pure movement of the impossible rapport between the two?


Investigation by means of the issue of formalism intervenes here as an alternative. As one of the very means by which this separation between the subject (or mind, consciousness, etc.) and object (or world, reality, etc.) is made, the investigation of formalism itself is an opportunity to tear the subject away from its merely critical or, alternatively, empirical determinations. In other words, if formalism is the means by which a consciousness represents to itself the nature of the external reality, then the interrogation of this space of formalization itself is none other than the reckoning with the very nature of this counter-position between the subjective and objective. If so, then the transformation of the formal dimension is also the transformation of this rapport: the reconstitution of the subject, its representations and its localization in the field of knowledge and discourse. This dynamical movement, between formalization and (re)localization, is no doubt reorganized and renormalized into a constituted scientific body of knowledge in due course. Yet, in this narrow gap of indetermination, a vision of a “subject”, caught between empirical consciousness and its objective constitution, opens into a possible nomination that may allow us to seize a conception of a “subject” which points to an excess “in-between” which seems to resist determination.


The aim of the workshop is to try to address the avenues afforded for rethinking the problem of the subject by the investigation of formalism itself. Working in the context of the paths opened by the French epistemologie tradition, psychoanalysis and the recent wave of French anti-phenomenological philosophies of Deleuze and Badiou, we hope to explore the new frontiers that lie on the horizon as recent innovations in the formal sciences (formal logic and mathematics) have not only granted us new means to interrogate the domain of subjectivity but also allow us to transform its very topos. This will also be an opportunity to reevaluate the status of psychoanalysis' use of formal structures (matheme, knots and topology) in light of recent developments in these fields.

Schedule:
29/11/2010 Monday

14h – 14h30
Formalism and the subject: elements toward a problematic
Welcome and introduction by Pietro Bianchi and Tzuchien Tho

14h30-16h30
Form and Logical Structure in Badiou's Logiques des mondes
Beau Madison Mount
Response by Tzuchien Tho

16h30-18h30
Formalism and the Subject: Reflections on the Origin of Gauge Theory
Silvia de Bianchi
Response by Tzuchien Tho

19h
Conference Dinner

30/11/2010 Tuesday

11h-13h
Formalisation and situation: Some elements for a materialistic reading of Lacan’s “four discourses”
Livio Boni
Response by Tom Eyers

14h-16h
Topological forms and their descriptive logic —the implications for thinking the subject in Deleuze’s The Fold, Leibniz and the Baroque
Niamh McDonnell
Response by Pietro Bianchi

16h-18h
Consistence/Inconsistence: Disruptions in the Isotopy of a Borromean
Benjamin Bishop
Response by Carlos Guillermo Gómez Camarena

19h
Roundtable discussion
++++++++++++++++++++++++++++++++

Monday, 8 November 2010

crisis and critique


Last chance to book online.

Monday, 25 October 2010

'Crisis and Critique' 7th Annual HM Conference, London

'Crisis and Critique': Historical Materialism Annual London Conference
2010,

Central London, Thursday 11th to Sunday 14th November*

Registration and Provisional Programme Now Available
online:

ALL ATTENDEES AND SPEAKERS MUST PRE-REGISTER, PRE-REGISTRATION CLOSES
AT MIDNIGHT ON NOVEMBER 8TH


Notwithstanding repeated invocations of the ‘green shoots of recovery’, the effects of the economic crisis that began in 2008 continue to be felt around the world. While some central tenets of the neoliberal project have been called into question, bank bailouts, cuts to public services and attacks on working people's lives demonstrate that the ruling order remains capable of imposing its agenda. Many significant Marxist analyses have already been produced of the origins, forms and prospects of the crisis, and we look forward to furthering these debates at HM London 2010. We also aim to encourage dialogue between the critique of political economy and other modes of criticism – ideological, political, aesthetic, philosophical – central to the Marxist tradition.

In the 1930s, Walter Benjamin and Bertolt Brecht projected a journal to be called ‘Crisis and Critique’. In very different times, but in a similar spirit, HM London 2010 aims to serve as a forum for dialogue, interaction and debate between different strands of critical-Marxist theory. Whether their focus is the study of the capitalist mode of production's theoretical and practical foundations, the unmasking of its ideological forms of legitimation or its political negation, we are convinced that a renewed and politically effective Marxism will need to rely on all the resources of critique in the years ahead. Crises produce periods of ideological and political uncertainty. They are moments that put into question established cognitive and disciplinary compartmentalisations, and require a recomposition at the level of both theory and practice. HM London 2010 hopes to contribute to a broader dialogue on the Left aimed at such a recomposition, one of whose prerequisites remains the young Marx’s call for the ‘ruthless criticism of all that exists’.

Themes discussed by the Conference include: Activism * Adorno: Philosophy, Aesthetics, Politics * Aesthetics of Crisis * Art and Activism * Althusser and the Aleatory Encounter I: Conceptual Aspects * Althusser and the Aleatory Encounter II: Philosophical Contrasts * Applying Value Theory * Approaching Passive Revolutions * Art in Neoliberalism * The Arts and Capitalist Triumphant: American Culture in the 1940s * Between Political Economy and Political Struggles * Beyond What Is and Isn’t to Be Done: The Question of Organisation Today * Biocapitalism * Bolshevik History * Book Launch: Jairus Banaji's Theory as History * Capital and the Crisis of Nature * Capitalism, Labour, Photography * Centenary of Hilferding’s Finance Capital * China: Internal Struggles and External Perceptions * Class, Gender, Crisis: The Attack on Public Services and Welfare * Class and Nation in the Middle East * Climate Change and Ecological Crisis: Law, Gender, Technology * Commodities, Labour and Space * Conjuncture, Contingency and Overdetermination * The Contemporary Global Economy (Marx and the ‘Global South’ 1) * Crisis and Accumulation in Asia * Crisis of Representation: Philosophy, Politics, Aesthetics * Crisis in Greece, Crisis in the Eurozone * The Crisis this Time * Commons and Commonwealths * Commons and Communism, Past and Present * Confronting the Right * Cultural Contradictions of Capitalism * Death and Utopia: Bloch and Benjamin * Dependency and Exploitation in Latin America * Dimensions of the Crisis: History, Finance, and the Labour Process * Energy and Crisis * The End of Old and New Labour: What's Left?* Eurozone Crisis: Causes and Ways Out * Feminism and the Critique of Political Economy * Financial Capital Before and After the Crisis * Financialisation: Theory and Practice * Forgotten Space: Capitalism and the Sea * Forms of Working-Class Resistance * From Crisis To Crises: Marxist Perspectives On Latin America In The Global Economy * From Crisis of Capitalism to Crisis of the Public Sector * Gender, Labour and the Future of Feminism * Geographies of Crisis and Critique I * Geographies of Crisis and Critique II * German Crises * Georg Lukács and the Aspiration Towards Totality * Gramsci * Historical Materialism, Universal History, and East Asia * Histories of Workers’ Struggles * The Ideology of the ‘Big Society’ * Imperialism: History and Theory * Intellectuals, Public Discourse and Education * International Relations, Militarism and Modes of Foreign Relations * Japanese and Western Marxism * Korsch, Lefebvre and Hegelian Marxism * Labour and Migration * Labour Power and the Marxian Analytics of Crisis * Latin America, Resistance and Political Economy * Legacies of Bolshevism * Lenin, Luxemburg and the Russian Revolution * Limits of Citizenship and Democracy * Managing Crisis: Fair Trade, Cooperatives, Degrowth * Marx Against Eurocentrism (Marx and the ‘Global South’ 2) * Marx and Critique * Marxian Investigations * Marxism and Geopolitics * Marxism and International Law * Marxism and Politics Today * Marxism and Theories of Politics * Marxist Theories of Finance and Risk * Marxist Theory and Cultural Politics * Marx for Our Times * Marx, Normativity, Justice * Marx’s Capital and the Development of Capitalism Today * Music and Resistance * Neoliberalism and World Cinema: A Double Take * Palestine and Global Justice: Current and Historic Challenges for the Left * Poetics, Painting, Politics * Political Ecology in a Time of Crisis * Political Economy and Value Theory * The Politics and Political Economy of the Media * The Politics of Housing * Profit and the Crisis * Radicalism in Contemporary Art and Literature * Red October: Left-Indigenous Struggles in Modern Bolivia * Rethinking the State * Rosa Luxemburg and the Critique of Political Economy * Screening: Comuna Under Construction * Servicing the Crisis * Sex in Crisis * Slavery and American Capitalism * Stasis, Contradiction, Hostility * Strategies for Art Today I * Strategies for Art Today II * Theorising the Crisis I * Theorising the Crisis II * Theorising the Crisis III * The Transformation of Chinese Marxism * Ultra-Leftism, Insurrection, and the City * Useless But True: Economic Crisis and the Peculiarities of Economic Science * Value and Struggles in China * Varieties of Capitalism I * Varieties of Capitalism II * Violence and Non-Violence * Walter Benjamin and Anthropological Materialism * Walter Benjamin and the Critique of Violence * Whither Feminism? * Who Rules the World? Contemporary Views on Ruling and Capitalist Classes * Workers, the Union Movement and the Crisis * Workers’ Self-Management and Alternative Work Organisation I * Workers’ Self-Management and Alternative Work Organization II * The Working Class after Neoliberalism: From the World to the East End of Glasgow * The Work of Daniel Bensaid *


Speakers include: Greg Albo * Bueno Aldo * Görkem Akgöz * Idris Akkuzu * Donatella Alessandrini * Anne Alexander * Jamie Allinson * Elmar Altvater * Marko Ampuja * James Anderson * Kevin Anderson * Alex Anievas * Caroline Arscott * Sam Ashman * John Ashworth * Tara Atluri * Maurizio Atzeni * Antonio Azevedo * Dario Azzellini * Abigail Bakan * Jeff Bale * Jairus Banaji * Laurent Baronian * Luca Basso * Amita Baviskar * Wesley Baxter * Dave Beech * Riccardo Bellofiore * Aaron Benanav * Marc Berdet * Janis Berzins * Beverley Best * Brenna Bhandar * Alain Bihr * Cyrus Bina * Robin Blackburn * Paul Blackledge * Joost de Bloois * Iain Boal * Roland Boer * Armando Boito * Patrick Bond * Bill Bowring * Chris Boyd * Umut Bozkurt * Honor Brabazon * Craig Brandist * Pepijn Brandon * Lutz Brangsch * Colm Breathnach * Peter
Brogan * Heather Brown * Sebastian Budgen * Jonah Butovsky * Alex Callinicos * Liam Campling * Bob Cannon * Thomas Carmichael * The Carrot Workers Collective * Warren Carter * Noel Castree * Aude de Caunes * Maria Elisa Cevasco * Giorgio Cesarale * Sharad Chari * Matthew Charles * François Chesnais * Danielle Child * ChristopherbChitty * Joseph Choonara * John Clegg * Perci Coelho * Sheila Cohen * Alejandro Colás * Nathan Coombs * John Cooper * Luke Cooper * Gareth Dale * Neil Davidson * Chuck Davis * Tim Dayton * Shane Deckard * Radhika Desai * Li Dianlai * Katja Diefenbach * Angela Dimitrakaki * James Dunkerley * Bill Dunn * Cedric Durand * Nick Dyer-Witheford * Caroline Edwards * Steve Edwards * Evie Embrechts * Katsuhiko Endo * Theresa Enright * Adam Fabry * Mauro Farnesi Camellone * Sara Farris * David Featherstone * Romain Felli * Oliver Feltham * David Fernbach * Michele Filippini * Ben Fine * Eoin Flaherty * Paul Flenley * Keith Flett * Kirsten Forkert * Des Freedman * Alan Freeman * James Furner * Nicola Fusaro * Jin Gao * Lindsey German * M.A. Gonzalez * Sara Gonzalez * James Goodman * Jamie Gough * Nicolas Grinberg * Agon Hamza * Adam Hanieh * Bue Rübner Hansen * Jane Hardy * Lea Haro * Barnaby Harran * Barbara Harriss-White * Johan Hartle * Dan Hartley * Mike Haynes * Amrit Heer * Paul Heideman * Christoph Hermann * Chris Hesketh * Andy Higginbottom * Jan Hoff * John Holloway * Charlie Hore * Nik Howard * Peter Hudis * Ian Hussey * Michel Husson * Ursula Huws * Anthony Iles * Ozlem Ingun * Robert Jackson * Dhruv Jain * Sang-Hwan Jang * Anselm Jappe * Olivier Jelinski * Heesang Jeon * Seongjin Jeong * Jonny Jones * Jyotsna Kapur * Rémy Herrera * Marina Kaneti * Ioannis Kaplanis * Elif Karacimen * Rebecca Karl * Ken Kawashima * Alexander Keller Hirsch * Mark Kelly * Anneleen Kenis * Paul Kellogg * Christiane Ketteler * Sami Khatib * Jim Kincaid * Don Kingsbury * Stathis Kouvelakis * Sam Knafo * Juha Koivisto * Stathis Kouvelakis * Michael R. Krätke * Clarice Kuhling * Alexi Kukuljevic * Anne E. Lacsamana * Mikko Lahtinen * Ishay Landa * Costas Lapavitsas * Amanda Latimer * Nick Lawrence * Philippe Lege * Emanuele Leonardi * Esther Leslie * Alex Levant * Les Levidow * Iren Levina * Norman Levine * Ben Lewis * Aiyun Liang * Lars Lih * Jacob Carlos Lima * Por-Yee Lin * Duncan Lindo * Nicola Livingstone * Alex Loftus * Domenico Losurdo * Nikos Lountos * David Mabb * Denis Mäder * Yahya Madra * F.T.C. Manning * Paula Marcelino * Fábio Marvulle * Pierre Matari * Paul Mattick * Patricia McCafferty * Daniel McCarthy * Andrew McGettigan * David McNally * James Meadway * Eileen Meehan * Antigoni Memou * Zhang Meng * David Michalski * China Miéville * Owen Miller * Seamus Milne * Andrew Milner * Dimitris Milonakis * Gautam Mody * Simon Mohun * Kim Moody * Colin Mooers * Michael Moran * Vittorio Morfino * Adam David Morton * Avigail Moss * Sara Motta * Tadzio Mueller * Sara Murawski * Douglas Murphy * Mary Jo Nadeau * Yutaka Nagahara * Immanuel Ness * Susan Newman * Michael Niblett * Stephen Norrie * Benjamin Noys * Sebnem Oguz * Francisco Ojeda * Chris O’Kane * Kosuke Oki * Ken Olende * Ozlem Onaran * Ahmet Öncü * Ozgur Orhangazi * Judith Orr * Reecia Orzeck * Ceren Ozselcuk * Leo Panitch * Giorgos Papafragkou * Rose Parfitt * Mark Paschal * Jody Patterson * Laurie Penny * He Ping * Simon Pirani * Charles Post * Nina Power * Gonzalo Pozo-Martin * Lucia Pradella * Tim Pringle * Toni Prug * Muriel Pucci * Besnik Pula * Thomas Purcell * Sam Putinja * Uri Ram * Gene Ray * Jason Read * John Rees * Oliver Ressler * Felicita Reuschling * Larry Reynolds * John Roberts * John Michael Roberts * William Roberts * Ed Rooksby * Sadi dal Rosso * Christina Rousseau * Devi Sacchetto * Giorgos Sagriotis * Spyros Sakellaropoulos * Gregory Schwartz * David Schwartzman * Ian J. Seda-Irizarry * Allan Sekula * Ben Selwyn * Richard Seymour * Greg Sharzer * Greg Shollette * Jan Sieber * Mark Silverman * Oishik Sircar * Murray E.G. Smith * Jason Smith * John Smith * Jeffrey Sommers * Panagiotis Sotiris * Michalis Spourdalakis * Kerstin Stakemeier * Julian Stallabrass * Guido Starosta * Engelbert Stockhammer * Robert Stolz * Ted Stolze * Kendra Strauss * Bronislaw Szerszynski * Jeff Tan * Keeanga-Yamahtta Taylor * Kampagiannis Thanassis * Tzuchien Tho * Martin Thomas * Peter Thomas * Peter Thompson * Hillel Herschel Ticktin * Vladimir Tikhonov * Oxana Timofeeva * Bruno Tinel * Tania Toffanin * Massimiliano Tomba * Stavros Tombazos * George Tomlinson * Samo Tomsic * Jan Toporowski * Alberto Toscano * Nicos Trimikliniotis * Ben Trott * Pei Kuei Tsai * Alan Tuckman * Deborah Tudor * Lori Turner * Alexej Ulbricht * Steve Vallance * Giovanna Vertova * Marina Vishmidt * Keith Wagner * Hilary Wainwright * Gavin Walker * Andrew Warstat * Ben Watson * Michael Watts * Mike Wayne * Alexis Wearmouth * Jeffery R. Webber * John Weeks * Brian Whitener * Evan Calder Williams * Frieder Otto Wolf * Xinwang Wu * Wu Xinwei * Galip Yalman * Faruk Yalvaç * Eddie Yuen * Rafeef Ziadah * Mislav Zitko *

Wednesday, 2 June 2010

The Crisis of the Human Sciences

CALL FOR PAPERS
Gulf University for Science and Technology, Kuwait
March 6-8, 2011a
Conference:
The Crisis of the Human Sciences:
False Objectivity and the Decline of Creativity

Centralization and over-professionalization can lead to the disappearance of a critical environment capable of linking the disciplines to the "real world." The humanities need to operate in a concrete cultural environment able to influence procedures on a hic et nunc basis and should not entirely depend on normative criteria whose function is often to hide ignorance behind a pretentious veil of value-neutral objectivity. For example, in sociology, the growth of scientism has fragmented ethical categories and distorted discourse between inner and outer selves. Philosophy is suffering from an empty professionalism current in many philosophy departments in industrialized and developing countries where boring, ahistorical, and nonpolitical exercises are justified through appeals to false excellence. In all branches of the humanities absurd evaluation processes foster similar tendencies as they create a sterile atmosphere and prevent interdisciplinarity and creativity. An invidious technicization of theory plays into the hands of technocrats. Due to the centralization of editorial power in the hand of large university presses of Anglophone countries, the content, quality, and range of modern publishing has become only too predictable. How do people working in the humanities respond to the crisis in their respective disciplines? Papers including either meta-scientific considerations or concrete observations are welcome.

Keynote Speakers:
Lewis Gordon (Temple University)
Richard Shusterman (Florida Atlantic University)
Muhsin Jassim al-Musawi (Columbia University)
Khaldoun al-Naqeeb (Kuwait University)

Please spread this call for papers which is available here.

Submissions: Proposal submissions are welcome from scholars working in all fields of the humanities and social sciences as long as the proposals are directly related to the topic. A 250 word abstract along with a short biographical note (max. 100 words) should be submitted by using this Conference Website. Create an author account and paste both abstract and bio-note into the body of the text (do not attach files).

Deadline for abstracts: November 30, 2010 Papers should not exceed 3000 words (20 minutes reading time).

Conference fee: Early bird (until December 15) 50 KD [€130] covering the costs of an opening reception, a conference dinner, and refreshments. After December 15: 60 KD [€155]. The Gulf University for Science and Technology is a highly modern institution and strives to be among the leading private universities in the region.Please circulate this call for papers by forwarding the link and by printing out the pdf flyer. Thank you very much.

Tuesday, 27 April 2010

Abstraction Conference


Marx and Philosophy Society

Seventh annual conference

Abstraction, Universality and Money Saturday

5th June 2010, 9.30am - 6.00pm

Institute of Education, University of London, 20 Bedford Way, London

Richard Seaford (Exeter) Money, Abstraction, and the Genesis of the Psyche

Alberto Toscano (Goldsmiths) The Dead Pledge of Society: Methodological Problems and Political Consequences of 'Real Abstraction'

Christopher Arthur Abstraction, Universality and Money


Graduate panels:

Jan Sailer (Freiburg) Securities: The Purest Form of Abstract Wealth

Nick Gray (Sussex) Abstraction, Universality, Money and Capital

Marina Vishmidt (Queen Mary, University of London) Art in and as Abstract Labour

Brian Fuller (York, Toronto) Materialism and Dialectic: Reading Marx after Adorno

Tim Carter (Sussex) Alienation and Domination in Marx and Wittgenstein

Chris Allsobrook (Sussex) The Ideological Normative Grounds of Immanent Critique


£15 waged, £10 unwaged (provides annual membership of the society)


To reserve a place in advance please email David Marjoribanks